Seeking Joy in the Liminal Spaces

Lately, I’ve found delight in the unpredictable, in-between moments of life. Like a crack allowing light to seep into a dark room, there’s a fleeting, intangible something that happens to turn the ordinary into the extraordinary. I’d just returned to Gabon days earlier when my husband Brad mentioned he’d bought tickets to the Masquerade Ball on Friday night. “We can donate them if you’re too jet-lagged?” I shook my head. “I’d love to go.”

The ball was just as fun as I’d anticipated- a festive evening of mask-wearing, dancing, laughing with friends, and good food. But what left an impression afterward wasn’t the main event. It was a brief connection with a Bwiti man who wore spiritual makeup and played a small stringed instrument as the guests arrived. The words in his tribal song were incomprehensible to me, yet I was transfixed. His music momentarily transported me somewhere akin to that liminal space between dreaming and waking. That, I had not anticipated.

Looking back over our family photos of an enjoyable, action-packed summer, the most noteworthy memories were the ones unplanned and unexpected. Enthusiastic to share my love of London with my son on his first trip there, I packed in the tourist activities Ramsay had requested for our long weekend, to include fish and chips in a real pub and rides on the Tube, the London Eye, and a double-decker bus. We crossed bridges over the Thames on foot, explored the Tower of London’s jewels, torture chamber, and raven-crested turrets, and ogled the toys and food halls of Harrods (where he selected a piece of chocolate cake the size of a man’s shoe, which in the end, we couldn’t entirely devour).

Ultimately, however, our trip to London wasn’t defined by the main attractions. I shared my favorite paintings at the Courtauld Gallery with Ramsay, where we admired “The Angler,” by Seurat. (Rams loves fishing). But it was the stunning spiral staircase that captured him most, along with the man blowing enormous, playful bubbles outside of the Tate Modern that we talked about later.

On the HMS Belfast war ship, I’d expected Ramsay to fawn over the mechanics. Rather, what stood out was an interaction with a volunteer who demonstrated Ramsay’s name in Morse code using dots and dashes. Notable that day, too, were other amazing occurrences, none of which were on the itinerary: Ramsay’s penchant for smoky Earl Grey tea (a new discovery), meeting our friend’s dogs, Itchy and Scratchy, spotting rare sports cars in Knightsbridge, and being gifted a coveted Manchester United soccer ball.

On a separate journey to the south of France, Brad and I marveled at the spectacular architecture of the Mucem in Marseilles and indulged in our first Michelin-starred restaurant, Prieure, in Avignon, which was everything we’d hoped for. But it was the stunning fields of poppies, a surprising parade of sheep in Provence, and the pretty shadows cast by the Plane trees arching over the road that we talk about most- the “asides” of our trip.

And after settling in back in Libreville, we were elated at the first passion fruit growing on the vine Ramsay planted months ago- one of those bits of magic in the before-and-afters that lingers.

May you seek joy, too, in the liminal spaces,

With love, Tracy

Creativity & Culture- Off the Beaten Path

In a discussion with chef Luis Valesquez, a local Honduran friend, about the artisan crafts he displays in his Gastro Gallery, he mentioned a town an hour north of Tegucigalpa that had larger-than-life street art covering its walls. I was intrigued. How could this be? I’d been here three years and never heard of this nearby museum outdoors.

Research revealed that this inspirational project in the historical town of Catarranas, founded in 1667 by Spanish rulers, stemmed from artist Javier Espinal. In 2011, he proposed to transform the city’s walls with art. With government investment from the San Juan de Flores municipality, and In collaboration with artists from Honduras, Mexico, Columbia, and Argentina, more than fifty vibrant murals depicting themes of light, peace, and the roots of Honduras were created. (Artists’ signatures are painted on their talented works).

Wanderlust propelled me to take my son out of school and go exploring. I live with perpetual fernweh: a German word meaning “a longing for unseen places.” Like a racehorse stuck at the gate, every so often, I have the desire to break away from daily life and reconnect with something bigger. A friend who home-schools her son agreed, and off we went on our field trip.

We drove the tree-lined, winding RN-25 route north of Valle de Angeles until we entered the tropical cloud forest in the mountains. Thick mist blurred the the two-lane highway until twenty minutes beyond, when the sun returned, this hidden gem called Catarranas, meaning “singing frogs,” appeared.

Walking to the main square to get our bearings, we paused to admire a few sculptures near the pretty iglesia. We were awe-struck by the innovation before us as we ambled through cobblestone streets to find a stunning trompe l’oeil painting “spilling” down the stairs. Another artist used a home’s door as a book shelf, and a narrow alley was shaded by a canopy of crayon-colored umbrellas. This town was wonderfully alive with magical details, surrealism, and movement in those brush strokes.

On the way home, we made a brief detour where my friend had taken a pottery class in San Juancito, which for a tiny village, was teeming with history. It was the site of the original American Embassy in Honduras, housed the first electrical plant in all of Central America, and was one of the country’s first gold and silver mining towns.

Adjacent to an unassuming cafe was a factory, once a soda bottling plant, that now makes pottery, handmade paper, blown glass, and woven baskets.

At the end of the day, I was buzzing from the immersion of creativity and culture. Coupled with the freedom of walking outdoors, feeling safe with our cameras, and soaking up the friendly smiles of locals, it was one of my favorite days in Honduras.

Le Vaya Bien. Go Well.

Tracy

Collective Lights

January,

a month to dream, to castle-build. A time for renewal.

I settle into stillness, listening for whispers from my core being about my heart’s desires.

I’m quietly gathering 2021 aspirations. (I don’t want to call them resolutions because that sounds like work instead of dreaming about what I want my life to look like). So, a couple of aspirations this year are to be present- really present– during any opportunity to connect with loved ones, and to commit to finishing a fiction manuscript draft.

And I want to be mindful about my days so they don’t disappear into a blur of “being busy.”

There’s a lot of social media advice on setting intentions, and tools for transitioning into the new year. I’ve tried many, and a few favorite concepts that have worked for me in recent years are:

  • Choosing a Word (or theme) of the Year to guide intentions. Have you ever done this? (My word for 2021 is “Realign”).
  • Taking stock of the past year before launching into goals for the new ones. I like using a workbook to reflect and gather inspiration, like Unravel Your Year by Susannah Conway. And Mel Robbins’ video series “Incredible Year,” in which she says to chart a path forward, we must know where we are first. (Both of those linked resources are free).
  • Setting micro-goals and deadlines in my planner (and boundaries to protect my time and energy).

Knowing what I don’t want helps shape my vision, too. I don’t want 2020 baggage to drag into this new year, like an anchor holding my soul captive. I want to let go, to feel free and untethered.

What are your New Year rituals or dreams for 2021? Whatever you choose to do, don’t hold back on shining bright and taking up space in the world. The world needs our collective lights.

Wishing you Peace & Prosperity,

Tracy